Dressage, 2026. Mixed media on paper. 14.4×17.5” framed in black. Signed/dated on verso.
"My drawings evolve from memory and imagination rather than direct observation or preliminary sketches. I'm interested in expressing the raw space of my emotion. I love the subversive reality in vintage cartoons as much as the complexity in primitive renderings of animals and characters. I feel a connection to the eccentricity in certain animals. In my work the creatures act out the absurdity and vulnerability in the underbelly of humanity."
"My drawings evolve from memory and imagination rather than direct observation or preliminary sketches. I'm interested in expressing the raw space of my emotion. I love the subversive reality in vintage cartoons as much as the complexity in primitive renderings of animals and characters. I feel a connection to the eccentricity in certain animals. In my work the creatures act out the absurdity and vulnerability in the underbelly of humanity."
Dressage, 2026. Mixed media on paper. 14.4×17.5” framed in black. Signed/dated on verso.
"My drawings evolve from memory and imagination rather than direct observation or preliminary sketches. I'm interested in expressing the raw space of my emotion. I love the subversive reality in vintage cartoons as much as the complexity in primitive renderings of animals and characters. I feel a connection to the eccentricity in certain animals. In my work the creatures act out the absurdity and vulnerability in the underbelly of humanity."
"My drawings evolve from memory and imagination rather than direct observation or preliminary sketches. I'm interested in expressing the raw space of my emotion. I love the subversive reality in vintage cartoons as much as the complexity in primitive renderings of animals and characters. I feel a connection to the eccentricity in certain animals. In my work the creatures act out the absurdity and vulnerability in the underbelly of humanity."